The Gita for the Youth

The Vision Of The World-Spirit

Time the Destroyer

The vision of the universal Purusha is one of the best known and most powerfully poetic passages in the Gita, but its place in the thought is not altogether on the surface. It is evidently intended for a poetic and revelatory symbol and we must see how it is brought in and for what purpose and discover to what it points in its significant aspects before we can capture its meaning. It is invited by Arjuna in his desire to see the living image, the visible greatness of the unseen Divine, the very embodiment of the Spirit and Power that governs the universe. He has heard the highest spiritual secret of existence, that all is from God and all is the Divine and in all things God dwells and is concealed and can be revealed in every finite appearance. The illusion which so persistently holds man's sense and mind, the idea that things at all exist in themselves or for themselves apart from God or that anything subject to Nature can be self-moved and self-guided, has passed from him, — that was the cause of his doubt and bewilderment and refusal of action. Now he knows what is the sense of the birth and passing away of existences. He knows that the imperishable greatness of the divine conscious Soul is the secret of all these appearances. All is a Yoga of this great eternal Spirit in things and all happenings are the result and expression of that Yoga; all Nature is full of the secret Godhead and in labour to reveal him in her. But he would see too the very form and body of this Godhead, if that be

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possible. He has heard of his attributes and understood the steps and ways of his self-revelation; but now he asks of this Master of the Yoga to discover his very imperishable Self to the eye of Yoga. Not, evidently, the formless silence of his action less immutability, but the Supreme from whom is all energy and action, of whom forms are the masks, who reveals his force in the Vibhuti, — the Master of works, the Master of knowledge and adoration, the Lord of Nature and all her creatures. For this greatest all-comprehending vision he is made to ask because it is so, from the Spirit revealed in the universe, that he must receive the command to his part in the world-action.

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What thou hast to see, replies the Avatar, the human eye cannot grasp, — for the human eye can see only the outward appearances of things or make out of them separate symbol forms, each of them significant of only a few aspects of the eternal Mystery. But there is a divine eye, an inmost seeing, by which the supreme Godhead in his Yoga can be beheld and that eye I now give to thee. Thou shalt see, he says, my hundreds and thousands of divine forms, various in kind, various in shape and hue; thou shalt see the Adityas and the Rudras and the Maruts and the Aswins; thou shalt see many wonders that none has beheld; thou shalt see today the whole world related and unified in my body and whatever else thou wiliest to behold. This then is the keynote, the central significance. It is the vision of the One in the Many, the Many in the One, — and all are the One. It is this vision that to the eye of the divine Yoga liberates, justifies, explains all that is and was and shall be. Once seen and held, it lays the shining axe of God at the root of all doubts and perplexities and annihilates

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all denials and oppositions. It is the vision that reconciles and unifies. If the soul can arrive at unity with the Godhead in this vision, — Arjuna has not yet done that, therefore we find that he has fear when he sees, — all even that is terrible in the world loses its terror. We see that it too is an aspect of the Godhead and once we have found his meaning in it, not looking at it by itself alone, we can accept the whole of existence with an all-embracing joy and a mighty courage, go forward with sure steps to the appointed work and envisage beyond it the supreme consummation. The soul admitted to the divine knowledge which beholds all things in one view, not with a divided, partial and therefore bewildered seeing, can make a new discovery of the world and all else that it wills to see, yac cānyad drastum icchasi; it can move on the basis of this all-relating and all-unifying vision from revelation to completing revelation.

The supreme Form is then made visible. It is that of the infinite Godhead whose faces are everywhere and in whom are all the wonders of existence, who multiplies unendingly all the many marvellous revelations of his being, a world-wide Divinity seeing with innumerable eyes, speaking from innumerable mouths, armed for battle with numberless divine uplifted weapons, glorious with divine ornaments of beauty, robed in heavenly raiment of deity, lovely with garlands of divine flowers, fragrant with divine perfumes. Such is the light of this body of God as if a thousand suns had risen at once in heaven. The whole world multitudinously divided and yet unified is visible in the body of the God of Gods. Arjuna sees him, God magnificent and beautiful and terrible, the Lord of souls who has manifested in the glory and greatness of his spirit this wild and monstrous and orderly and wonderful and sweet and terrible world, and overcome with

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marvel and joy and fear he bows down and adores with words of awe and with clasped hands the tremendous vision. "I see," he cries, "all the gods in thy body, O God, and different companies of beings, Brahma the creating lord seated in the Lotus, and the Rishis and the race of the divine Serpents. I see numberless arms and bellies and eyes and faces, I see thy infinite forms on every side, but I see not thy end nor thy middle nor thy beginning, O Lord of the universe, O Form universal. I see thee crowned and with thy mace and thy discus, hard to discern because thou art a luminous mass of energy on all sides of me, an encompassing blaze, a sun-bright fire-bright Immeasurable. Thou art the supreme Immutable whom we have to know, thou art the high foundation and abode of the universe, thou art the imperishable guardian of the eternal laws, thou art the sempiternal soul of existence."

But in the greatness of this vision there is too the terrific image of the Destroyer. This Immeasurable without end or middle or beginning is he in whom all things begin and exist and end. This Godhead who embraces the worlds with his numberless arms and destroys with his million hands, whose eyes are suns and moons, has a face of blazing fire and is ever burning up the whole universe with the flame of his energy. The form of him is fierce and marvellous and alone it fills all the regions and occupies the whole space between earth and heaven. The companies of the gods enter it, afraid, adoring; the Rishis and the Siddhas crying, "May there be peace and weal", praise it with many praises; the eyes of Gods and Titans and Giants are fixed on it in amazement. It has enormous burning eyes; it has mouths that gape to devour, terrible with many tusks of destruction; it has faces like the fires of Death and Time. The kings and the captains and the heroes on both sides of the world-battle are hastening into its tusked and

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terrible jaws and some are seen with crushed and bleeding heads caught between its teeth of power; the nations are rushing to destruction with helpless speed into its mouths of flame like many rivers hurrying in their course towards the ocean or like moths that cast themselves on a kindled fire. With those burning mouths the Form of Dread is licking all the regions around; the whole world is full of his burning energies and baked in the fierceness of his lustres. The world and its nations are shaken and in anguish with the terror of destruction and Arjuna shares in the trouble and panic around him; troubled and in pain is the soul within him and he finds no peace or gladness. He cries to the dreadful Godhead, "Declare to me who thou art that wearest this form of fierceness. Salutation to thee, O thou great Godhead, turn thy heart to grace. I would know who thou art who wast from the beginning, for I know not the will of thy workings."

God as Death

This last cry of Arjuna indicates the double intention in the vision. This is the figure of the supreme and universal Being, the Ancient of Days who is for ever, sandtanam purusam puranam, this is he who for ever creates, for Brahma the Creator is one of the Godheads seen in his body, he who keeps the world always in existence, for he is the guardian of the eternal laws, but who is always too destroying in order that he may new-create, who is Time, who is Death, who is Rudra the Dancer of the calm and awful dance, who is Kali with her garland of skulls trampling naked in battle and flecked with the blood of the slaughtered Titans, who is the cyclone and the fire and the earthquake and pain and famine

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and revolution and ruin and the swallowing ocean. And it is this last aspect of him which he puts forward at the moment. It is an aspect from which the mind in men willingly turns away and ostrich-like hides its head so that perchance, not seeing, it may not be seen by the Terrible. The weakness of the human heart wants only fair and comforting truths or in their absence pleasant fables; it will not have the truth in its entirety because there there is much that is not clear and pleasant and comfortable, but hard to understand and harder to bear. The raw religionist, the superficial optimistic thinker, the sentimental idealist, the man at the mercy of his sensations and emotions agree in twisting away from the sterner conclusions, the harsher and fiercer aspects of universal existence. Indian religion has been ignorantly reproached for not sharing in this general game of hiding, because on the contrary it has built and placed before it the terrible as well as the sweet and beautiful symbols of the Godhead. But it is the depth and largeness of its long thought and spiritual experience that prevent it from feeling or from giving countenance to these feeble shrinking.

Indian spirituality knows that God is Love and Peace and Calm and Eternity, — the Gita which presents us with these terrible images, speaks of the Godhead who embodies himself in them as the lover and friend of all creatures. But there is too the sterner aspect of his divine government of the world which meets us from the beginning, the aspect of destruction, and to ignore it is to miss the full reality of the divine Love and Peace and Calm and Eternity and even to throw on it an aspect of partiality and illusion, because the comforting exclusive form in which it is put is not borne out by the nature of the world in which we live. This world of our battle and labour is a fierce dangerous destructive devouring world in which life

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exists precariously and the soul and body of man move among enormous perils, a world in which by every step forward, whether we will it or no, something is crushed and broken, in which every breath of life is a breath too of death. To put away the responsibility for all that seems to us evil or terrible on the shoulders of a semi-omnipotent Devil, or to put it aside as part of Nature, making an unbridgeable opposition between world-nature and God-Nature, as if Nature were independent of God, or to throw the responsibility on man and his sins, as if he had a preponderant voice in the making of this world or could create anything against the will of God, are clumsily comfortable devices in which the religious thought of India has never taken refuge. We have to look courageously in the face of the reality and see that it is God and none else who has made this world in his being and that so he has made it. We have to see that Nature devouring her children, Time eating up the lives of creatures, Death universal and ineluctable and the violence of the Rudra forces in man and Nature are also the supreme Godhead in one of his cosmic figures. We have to see that God the bountiful and prodigal creator, God the helpful, strong and benignant preserver is also God the devourer and destroyer. The torment of the couch of pain and evil on which we are racked is his touch as much as happiness and sweetness and pleasure. It is only when we see with the eye of the complete union and feel this truth in the depths of our being that we can entirely discover behind that mask too the calm and beautiful face of the all-blissful Godhead and in this touch that tests our imperfection the touch of the friend and builder of the spirit in man. The discords of the worlds are God's discords and it is only by accepting and proceeding through them that we can arrive at the greater concords of his supreme harmony,

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the summits and thrilled vastnesses of his transcendent and his cosmic Ananda.

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The problem raised by the Gita and the solution it gives demand this character of the vision of the World-Spirit. It is the problem of a great struggle, ruin and massacre which has been brought about by the all-guiding Will and in which the eternal Avatar himself has descended as the charioteer of the protagonist in the battle. The seer of the vision is himself the protagonist, the representative of the battling soul of man who has to strike down tyrant and oppressive powers that stand in the path of his evolution and to establish and enjoy the kingdom of a higher right and nobler law of being. Perplexed by the terrible aspect of the catastrophe in which kindred smite at kindred, whole nations are to perish and society itself seems doomed to sink down in a pit of confusion and anarchy, he has shrunk back, refused the task of destiny and demanded of his divine Friend and Guide why he is appointed to so dreadful a work, kim karmani ghore mam niyojayasi. He has been shown then how individually to rise above the apparent character of whatever work he may do, to see that Nature the executive force is the doer of the work, his natural being the instrument, God the master of Nature and of works to whom he must offer them without desire or egoistic choice as a sacrifice. He has been shown too that the Divine who is above all these things and untouched by them, yet manifests himself in man and Nature and their action and that all is a movement in the cycles of this divine manifestation. But now when he is put face to face with the embodiment of this truth, he sees in it magnified by the image of the divine greatness this aspect of terror and destruction and is

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appalled and can hardly bear it. For why should it be thus that the All-spirit manifests himself in nature? What is the significance of this creating and devouring flame that is mortal existence, this world-wide struggle, these constant disastrous revolutions, this labour and anguish and travail and perishing of creatures? He puts the ancient question and breathes the eternal prayer, "Declare to me who art thou that comest to us in this form of fierceness. I would know who art thou who wast from the beginning, for I know not the will of thy workings. Turn thy heart to grace."

Destruction, replies the Godhead, is the will of my workings with which I stand here on this field of Kurukshetra, the field of the working out of the Dharma, the field of human action — as we might symbolically translate the descriptive phrase, dharmakstetre kuruksetre — a world-wide destruction which has come in the process of the Time-Spirit. I have a foreseeing purpose which fulfils itself infallibly and no participation or abstention of any human being can prevent, alter or modify it; all is done by Me already in My eternal eye of will before it can at all be done by man upon earth. I as Time have to destroy the old structures and to build up a new, mighty and splendid kingdom. Thou as a human instrument of the divine Power and Wisdom hast, in this struggle which thou canst not prevent, to battle for the right and slay and conquer its opponents. Thou too, the human soul in Nature, hast to enjoy in Nature the fruit given by Me, the empire of right and justice. Let this be sufficient for thee, — to be one with God in thy soul, to receive his command, to do his will, to see calmly a supreme purpose fulfilled in the world. "I am Time the waster of the peoples arisen and increased whose will in My workings is here to destroy the nations. Even without thee all these warriors shall be not, who are ranked in

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the opposing armies. Therefore arise, get thee glory, conquer thy enemies and enjoy an opulent kingdom. By Me and none other already even are they slain, do thou become the occasion only, O Savyasachin. Slay, by Me who are slain, Drona, Bhishma, Jayadratha, Kama and other heroic fighters; be not pained and troubled. Fight, thou shalt conquer the adversary in the battle." The fruit of the great and terrible work is promised and prophesised, not as a fruit hungered for by the individual, — for to that there is to be no attachment, — but as the result of the divine will, the glory and success of the thing to be done, accomplished, the glory given by the Divine to himself in his Vibhuti. Thus is the final and compelling command to action given to the protagonist of the world-battle.

God of Love behind the mask of Death

Even while the effects of the terrible aspect of this vision are still upon him, the first words uttered by Arjuna after the Godhead has spoken are eloquent of a greater uplifting and reassuring reality behind this face of death and this destruction. "Rightly and in good place," he cries, "O Krishna, does the world rejoice and take pleasure in thy name, the Rikshasas are fleeing from thee in terror to all the quarters and the companies of the Siddhas bow down before thee in adoration. How should they not do thee homage, O great Spirit? For thou art the original Creator and Doer of works and greater even than creative Brahma. O thou Infinite, O thou Lord of the gods, O thou abode of the universe, thou art the Immutable and thou art what is and is not and thou art that which is the Supreme. Thou art the ancient Soul and the first and

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original Godhead and the supreme resting-place of this All; thou art the knower and that which is to be known and the highest status; O infinite in form, by thee was extended the universe. Thou art Yama and Vayu and Agni and Soma and Varuna and Prajavat, father of creatures, and the great-grandsire. Salutation to thee a thousand times over and again and yet again salutation, in front and behind and from every-side, for thou art each and all that is. Infinite in might and immeasurable in strength of action thou pervades all and art every one."

But this supreme universal Being has lived here before him with the human face, in the mortal body, the divine Man, the embodied Godhead, the Avatar, and till now he has not known him. He has seen the humanity only and has treated the Divine as a mere human creature. He has not pierced through the earthly mask to the Godhead of which the humanity was a vessel and a symbol, and he prays now for that Godhead's forgiveness of his unseeing carelessness and his negligent ignorance. "For whatsoever I have spoken to thee in rash vehemence, thinking of thee only as my human friend and companion, 'O Krishna, O Yadava, O comrade', not knowing this thy greatness, in negligent error or in love, and for whatsoever disrespect was shown by me to thee in jest, on the couch and the seat and in the banquet, alone or in thy presence, I pray forgiveness from thee the immeasurable. Thou art the father of all this world of the moving and unmoving; thou art one to be worshipped and the most solemn object of veneration. None is equal to thee, how then another greater in all the three worlds, O incomparable in might? Therefore I bow down before thee and prostrate my body and I demand grace of thee the adorable Lord. As a father to his son, as a friend to his friend and comrade, as one

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dear with him he loves, so shouldst thou, O Godhead, bear with me. I have seen what never was seen before and I rejoice, but my mind is troubled with fear. O Godhead, show me that other form of thine. I would see thee even as before crowned and with thy mace and discus. Assume thy four-armed shape, O thousand-armed, O Form universal."

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From the first words there comes the suggestion that the hidden truth behind these terrifying forms is a reassuring, a heartening and delightful truth. There is something that makes the heart of the world to rejoice and take pleasure in the name and nearness of the Divine. It is the profound sense of that which makes us see in the dark face of Kali the face of the Mother and to perceive even in the midst of destruction the protecting arms of the Friend of creatures, in the midst of evil the presence of a pure unalterable Benignity and in the midst of death the Master of Immortality. From the terror of the King of the divine action the Rikshasas, the fierce giant powers of darkness, flee destroyed, defeated and overpowered. But the Siddhas, but the complete and perfect who know and sing the names of the Immortal and live in the truth of his being, bow down before every form of Him and know what every form enshrines and signifies. Nothing has real need to fear except that which is to be destroyed, the evil, the ignorance, the veilers in Night, the Rakshasa powers. All the movement and action of Rudra the Terrible is towards perfection and divine light and completeness.

For this Spirit, this Divine is only in outward form the Destroyer, Time who undoes all these finite forms: but in himself he is the Infinite, the Master of the cosmic Godheads, in whom the world and all its action are securely seated. He is

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the original and ever originating Creator, one greater than that figure of creative Power called Brahma which he shows to us in the form of things as one aspect of his trinity, creation chequered by a balance of preservation and destruction. The real divine creation is eternal; it is the Infinite manifested sempiternal ly in finite things, the Spirit who conceals and reveals himself for ever in his innumerable infinity of souls and in the wonder of their actions and in the beauty of their forms. He is the eternal Immutable; he is the dual appearance of the Is and Is not, of the manifest and the never manifested, of things that were and seem to be no more, are and appear doomed to perish, shall be and shall pass. But what he is beyond all these is That, the Supreme, who holds all things mutable in the single eternity of a Time to which all is ever present. He possesses his immutable self in a timeless eternity of which Time and creation are an ever extending figure.

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The Godhead in answer to Arjuna's prayer reassumes his own normal Narayana image, svakam rūpam, the desired form of grace and love and sweetness and beauty. But first he declares the incalculable significance of the other mighty Image which he is about to veil. "This that thou now seest," he tells him, "is My supreme shape, My form of luminous energy, the universal, the original which none but thou amongst men has yet seen. I have shown it by My self-Yoga. For it is an image of My very Self and Spirit, it is the very Supreme self-figured in cosmic existence and the soul in perfect Yoga with Me sees it without any trembling of the nervous parts or any bewilderment and confusion of the mind, because he descries not only what is terrible and overwhelming in its appearance, but also its high and reassuring significance. And thou also shouldst so

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envisage it without fear, without confusion of mind, without any sinking of the members; but since the lower nature in thee is not yet prepared to look upon it with that high strength and tranquillity, I will reassume again for thee My Narayana figure in which the human mind sees isolated and toned to its humanity the calm, helpfulness and delight of a friendly Godhead. The greater Form" — and this is repeated again after it has disappeared — "is only for the rare highest souls. The gods themselves ever desire to look upon it. It cannot be won by Veda or austerities or gifts or sacrifice, it can be seen, known, entered into only by that Bhakti which regards, adores and loves Me alone in all things."

But what then is the uniqueness of this Form by which it is lifted so far beyond cognizance that all the ordinary endeavour of human knowledge and even the inmost austerity of its spiritual effort are insufficient, unaided, to reach the vision? It is this that man can know by other means this or that exclusive aspect of the one existence, its individual, cosmic or world-excluding figures, but not this greatest reconciling Oneness of all the aspects of the Divinity in which at one and the same time and in one and the same vision all is manifested, all is exceeded and all is consummated. For here transcendent, universal and individual Godhead, Spirit and Nature, Infinite and finite, space and time and timelessness, Being and Becoming, all that we can strive to think and know of the Godhead, whether of the absolute or the manifested existence, are wonderfully revealed in an ineffable oneness. This vision can be reached only by the absolute adoration, the love, the intimate unity that crowns at their summit the fullness of works and knowledge. To know, to see, to enter into it, to be one with this supreme form of the Supreme becomes then possible, and it is that end which the Gita

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proposes for its Yoga. There is a supreme consciousness through which it is possible to enter into the glory of the Transcendent and contain in him the immutable Self and all mutable Becoming, — it is possible to be one with all, yet above all, to exceed world and yet embrace the whole nature at once of the cosmic and the supracosmic Godhead. This is difficult indeed for limited man imprisoned in his mind and body: but, says the Godhead, "be a doer of my works, accept Me as the supreme being and object, become My Bhakta, be free from attachment and without enmity to all existences; for such a man comes to Me." In other words superiority to the lower nature, unity with all creatures, oneness with the cosmic Godhead and the Transcendence, oneness of will with the Divine in works, absolute love for the One and for God in all, — this is the way to that absolute spiritual self-exceeding and that unimaginable transformation.

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