A collection of short prose pieces on the Mother and her four great Aspects - Maheshwari, Mahakali, Mahalakshmi, Mahasaraswati, along with 'Letters on the Mother'.
Integral Yoga
This volume consists of two separate but related works: 'The Mother', a collection of short prose pieces on the Mother, and 'Letters on the Mother', a selection of letters by Sri Aurobindo in which he referred to the Mother in her transcendent, universal and individual aspects. In addition, the volume contains Sri Aurobindo's translations of selections from the Mother's 'Prières et Méditations' as well as his translation of 'Radha's Prayer'.
THEME/S
The Mother's music has often been recognised by X as Indian
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of this or that rāga. The Mother plays whatever comes through her―she does not usually play any precisely composed music whether European or Indian―the latter in fact she has never learned.
11-9-1934
The Mother has played music from her childhood upwards―so it is no trouble to her to sing or play several times.
15-9-1933
It is not necessary to have technical knowledge in order to feel what is behind the music. Mother, of course, does not play for the sake of a technical musical effect, but to bring down something from the higher planes and that anyone can receive who is open.
It is not by knowledge of music that the understanding [of the Mother's music] comes; nor is it by effort of the mind―it is by becoming inwardly silent, opening within and getting the spontaneous feeling of what is in the music.
1932
Yes. All that is very true. It is a prayer or an invocation that Mother makes in the music.
1-6-1935
Q: Is it true that when the Mother plays on the organ
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she calls down the Gods of the higher planes to help us?
A: Not consciously.
9-2-1934
Q: Does it mean that the Gods are attracted to her music and come down?
A: They may be.
10-2-1934
Q: Does the Mother bring out something while playing?
A: If she did not bring something, why should she play at all?
19-4-1934
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