Krishnalal Bhatt






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Paintings of Sacred Spaces - Sri Aurobindo Ashram



Some Works (under The Mother's supervision)

Source: Article by Srikant

  1. The breaking waves, a painting just behind the Mother’s Chair on the 1st floor of the Ashram.
  2. Paintings all along the partition on the 1st floor of the Mother’s room.
  3. The seven huge paintings done for the drama of 1st December 1956. The Mother herself had directed this drama. Parul-di, one of the aspirants, vividly remembers the way she herself showed her the movement. Each painting was of the size of the whole stage on the backdrop. Imagine the amount of physical work that must have been put into it! Besides you had to mount on a ladder.
    Out of hundreds of dramas that I have seen and performed this is the best that I recollect till date!
  4. The mural on the Villianur temple (is in bad shape)
  5. On the request of the French government, Mother had asked Krishnalal to make 4 life-size paintings for the Mairie-hall. They were put up too! But today we don’t find them. May be, when the French left, they took them along.
  6. He has hundreds of paintings and drawings, small and big, study of crows and animals. He along with his younger brother Vasudev built up the Studio of the Ashram.
  7. His last work, though health failed him, was the Golconde mural.

Golconde Mural

Golconde Mural by Krishnalal Bhatt

This Mural by Krishnalal is based on a vision of The Mother in which she saw herself seated in front of a great vastness where people were coming to her from all parts of the world. They were bringing their offerings to her and She was blessing them.


Krishnalal on how to appreciate the Golconde mural

Now that the big mural has been installed at Golconde, several persons come to me and praise it. But what most of them appreciate is the size of the picture and the many portraits in it. These points are so very superficial that, in a sense, it pains me. Hence I feel it proper to say something on how best to see the picture.

This painting depicts The Mother's vision which She had wanted to have done and placed at Golconde. It has not at all been done to show the portrait of this person or that person. The picture must be seen as a whole, from top to bottom and from side to side. The main thing, of course, is The Mother's figure. Look how large it is! Vast as Her Consciousness. Her head is touching the sky which is aglow with the New Light which Sri Aurobindo brought down on earth. She is seated in front of the sea which symbolises vastness. Her face is half veiled just as Her real and true personality was hidden from the ordinary sight and understanding. Some parts of Her body which are visible radiate an aura which is so subtle! Her hands are raised to bless all which is a fact so well known to all of us.

It is the presence of such a Supreme personality and Her Blessings that attract and draw humans from all parts of the world to Her. These people (some of whom seem to be known to us) represent some of those who were in Her personal service and were happy to offer to Her whatever they had.

Was it only the human beings who were attracted to Her? Look at the whole world of Nature, the birds, animals, plants, flowers. They are all turned towards Her; see their trust and faith in Her. Does one not feel a happy eagerness in them too? What is that vast sea doing? Have you marked the seat of The Mother? The roses and the tuberoses, what do they signify? There are the two plants and the two creepers at either end of the picture. Their significances are also known to us. They are in full bloom. Why?

If one understands all these things with one's heart one will not go on asking questions. But, on the other hand, one will be absorbed in the atmosphere of the New Light and of calm happiness. One will meditate rather than ask questions, unnecessary questions.

I have done this picture—it is my joy. But not because I have done a "Big painting", but because I have been able to fulfil a wish of The Mother, at least, to some extent because I feel that it is not done so well and is not as perfect as it should be and for this I am a bit sorry. The colours used are the acrylic paints which are very good for a painting like this but they were quite new to me so I had to adjust myself to them and to develop a new technique. The colours dry very fast, even more so in our studio which is very hot. At the beginning there was no big easel for this large painting and so I had to spread the separate boards on the floor and paint on them. Quite a new experience for me to work flat on the floor. But it was done somehow and now the picture is up at Golconde and The Mother's vision has been expressed and it is there for all to see.






Supramental Victory

The following image was part of the Darshan Message of 24-April-1056.

Supramental Victory

The painting carries the inscription, penned in November 1956, in the Mother's hand:

Inscription in The Mother's own handwriting

Without care for time, without fear for space, surging out purified from the flames of the ordeal, we shall fly without stop towards the realisation of our goal, the supramental victory.
- The Mother






A painting by Krishnalal

The above painting was done by Krishnalal in June 1948 in the Ashram premises.
The man walking on the pathway is exactly the spot where the Samadhi of Sri Aurobindo would come to be within a little more than 2 years later!









Photos


Blessings in Sri Aurobindo's own handwriting
Blessings (1936)


Vishnu, Krishnalal Bhatt, Sanjiban
Vishnu, Krishnalal Bhatt, Sanjiban (L to R)


Krishnalal Bhatt
Krishnalal Bhatt









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