Sri Aurobindo's notes and letters on his life and yoga and letters on Himself and on The Mother.
Sri Aurobindo : corresp.
Sri Aurobindo's notes and letters on his life and yoga and letters on Himself and on The Mother. In these letters, Sri Aurobindo writes about his life as a student in England, a teacher in Baroda, a political leader in Bengal, and a writer and yogi in Pondicherry. He also comments on his formative spiritual experiences and the development of his yoga.
THEME/S
It won't do to put excessive and sweeping constructions on what I write, otherwise it is easy to misunderstand its real significance. I said there was no reason why poetry of a spiritual character (not any poetry like Verlaine's or Swinburne's or Baudelaire's) should bring no realisation at all. This did not mean that poetry is a major means of realisation of the Divine. I did not say that it would lead us to the Divine or that anyone had achieved the Divine through poetry or that poetry by itself can lead us straight into the sanctuary. Obviously, if such exaggerations are put into my words, they become absurd and untenable.
My statement is perfectly clear and there is nothing in it against reason or common sense. The Word has power—even the ordinary written word has a power. If it is an inspired word it has still more power. What kind of power or power for what depends on the nature of the inspiration and the theme and the part of the being it touches. If it is the Word itself,—as in certain utterances of the great Scriptures, Veda, Upanishads, Gita, it may well have a power to awaken a spiritual and uplifting impulse, even certain kinds of realisation. To say that it cannot contradicts spiritual experience.
The Vedic poets regarded their poetry as Mantras, they were the vehicles of their own realisations and could become
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vehicles of realisation for others. Naturally, these mostly would be illuminations, not the settled and permanent realisation that is the goal of Yoga—but they could be steps on the way or at least lights on the way. I have had in former times many illuminations, even initial realisations while meditating on verses of the Upanishads or the Gita. Anything that carries the Word, the Light in it, spoken or written, can light this fire within, open a sky, as it were, bring the effective vision of which the Word is the body. You yourself know that some of your poems deeply moved people who had the tendency towards spiritual things. Many have got openings into realisation while reading passages of the Arya—which are not poetry, have not the power of spiritual poetry—but it shows all the more that the word is not without power even for the things of the spirit. In all ages spiritual seekers have expressed their aspirations or their experiences in poetry or inspired language and it has helped them and others. Therefore there is nothing absurd in my assigning to such poetry a spiritual or psychic value and effectiveness of a psychic or spiritual character.
It is obvious that poetry cannot be a substitute for Sadhana; it can be an accompaniment only. If there is a feeling (of devotion, surrender etc.), it can express and confirm it; if there is an experience, it can express and strengthen the force of experience. As reading of books like the Upanishads or Gita or singing of devotional songs can help, especially at one stage or another, so this can help also. Also it opens a passage between the external consciousness and the inner mind or vital. But if one stops at that, then nothing much is gained. Sadhana must be the main thing and Sadhana means the purification of the nature, the consecration of the being, the opening of the psychic and the inner mind and vital, the contact and presence of the Divine, the realisation of the Divine in all things, surrender, devotion, the widening of the consciousness into the cosmic Consciousness, the Self one in all, the psychic and the spiritual transformation of the nature. If these things are neglected and only poetry and mental
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development and social contact occupy all the time, then that is not Sadhana. Also the poetry must be written in the true spirit, not for fame or self-satisfaction, but as a means of contact with the Divine through inspiration or of the expression of one's own inner being as it was written formerly by those who left behind them so much devotional and spiritual poetry in India; it does not help if it is written only in the spirit of the western artist or littérateur. Even works or meditation cannot succeed unless they are done in the right spirit of consecration and spiritual aspiration gathering up the whole being and dominating all else. It is lack of this gathering up of the whole life and nature and turning it towards the one aim, which is the defect in so many here that lowers the atmosphere and stands in the way of what is being done by myself and the Mother.
19-5-1938
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